Therme Vals by Peter Zumthor
Peter Zumthor of Switzerland Becomes the 2009 Pritzker Architecture Prize Laureate
(Announcement)
http://www.therme-vals.ch/
Peter Zumthor: Therme Vals by vernissagetv
Peter Zumthor of Switzerland Becomes the 2009 Pritzker Architecture Prize Laureate
(Announcement)
http://www.therme-vals.ch/
Zumthor and Heidegger
The Vals spa—famed among architects for its evocative sequence of spaces and exquisite construction details—presents intriguing correspondences between Heidegger’s writing and Zumthor’s architecture. Writing in his architectural manifesto, Thinking Architecture, Zumthor mirrors Heidegger’s celebration of experience and emotion as measuring tools. A chapter entitled “A way of looking at things” begins by describing a door handle:
I used to take hold of it when I went into my aunt’s garden. That door handle still seems to me like a special sign of entry into a world of different moods and smells. I remember the sound of gravel under my feet, the soft gleam of waxed oak staircase. I can hear the heavy front door closing behind me as I walk along the dark corridor and enter the kitchen[...].(1998:9)Zumthor always emphasises the sensory aspects of the architectural experience. To him, the physicality of materials can involve an individual with the world, evoking experiences and texturing horizons of place through memory. He recalls places he once measured out at his aunt’s house through their sensual qualities. Zumthor’s Vals spa recounts the thinking he describes in his essay, making appeals to all the senses. The architect choreographs materials according to their evocative qualities. Flamed and polished stone, chrome, brass, leather and velvet were deployed with care to enhance the inhabitant’s sense of embodiment when clothed and naked. The touch, smell, and perhaps even taste of these materials were orchestrated obsessively. The theatricality of steaming and bubbling water was enhanced by natural and artificial light, with murky darkness composed as intensely as light. Materials were crafted and joined to enhance or suppress their apparent mass. Their sensory potential was relentlessly exploited with these tactics, Zumthor aimed to celebrate the liturgy of bathing by evoking emotions.
Peter Zumthor: Therme Vals by vernissagetv
